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| Johann Joachim Winckelmann | provided a framework for the style of art for the chronological order, the periods of the archaic period. derived the first system, saw classical art as an idea and disinagrateds into further fields | |
| Frank Calvert | excavated trial trenches in hisarlik | |
| Heinrich schliemann | thought that troy 2 was the homerick troy, true classical archaeologist. showed 1) story of troy was real and historical reality 2) first archeaologist to excavate scientifically, discovered myceans 3) gave historical reality to these people and the time periods, but exaggerated his work | |
| william dorpfeld | successor of schliemann, troy 6, had large fortification walls, no buildigs, hosre is introduced, paste and ivory, east to eh south, imported materials, bronze reaplces copper | |
| carl blegen | 7a homeric troy, picked up after schielemann, | |
| manfred korfmann | claims to have found remains that dated to the bronze age, or homeric troy, korfmann determine this ditch may have marked outer defenses of a larger city | |
| hissarlik | another name for the homeric troy | |
| homer | wrote the illiad and the odyssey | |
| troy 6 | 1700-1250, large walls, overlap gate, | |
| 1183 | fall of troy | |
| troy 7a | large series of storage vessels in there basements, places for storage of food during the siege, clear evidence of the destruction by man, led blagan to beleive homeric troy | |
| party wall | a wall shared between two rooms | |
| crete | island south of greece, minoans | |
| sir arthur evans | englishman, excavated knossos, greek methology fit into his theries, | |
| king minos | head of a large sea power, | |
| main palace of crete | good water supplies, access to sea, fertile lands, what we see today is new palace phase | |
| propylon | doorway with column porch on either side of the door, large staircase to the upper story | |
| stylized bull horns | evident in the palace of minoan | |
| throne room | oldest throne in all of europe, hidden area in black | |
| lustrual basin | ritual bathing things | |
| light well | area that allows light to come into the palace | |
| tripartite shrine | main sanctuary in knossos, it lies south of the throne room, treaure for snake goddess, to tthe west cetnral pillar with marks, worship? | |
| h1b | myceans take control of the palace, | |
| hall of double axes | pier and doors system, folding doors that can open and close, to help control temperature, open for cool breezes, close in order to heat the room | |
| reconstruction of throne | packed rubble mixed with beams, plaster put over with wall paintings | |
| frescos of the palace | clay backed paintings, pigments of natural paintings. | |
| frescos | scenes of frescos that contain nature and connected with life in the palace | |
| minoan art | sharp color changes rather than gradual, scene on color change in dolphin, naturalism and love of art of minoans | |
| saffron gather | mistake where sir arthur made a mistake when restoring frescos. monkey frolicing in the landscape | |
| priest-king | made in tablet form, used in relief, cheifdom, | |
| toreado fresco | bull jumping, taking place inside of the central court of the palace. but now we think the court was to small for bull jumping. | |
| grandstand fresco | miniature frescos, grandstand with a series of women | |
| pottery chronolgoy | sir arthur based chronology on pottery, from em to lm | |
| kamares ware | middle minoan period, takes name from cave of kamares, where large. pottery found in huge quantities | |
| floral style | late minoan period, late 1a | |
| marine | late 1b, rhytom and stirrup jar | |
| palace style | connected with the island of thera, the eruption took place 50 years, myceans came over to knossos in lm2, hence myceanes frescos. double axes, florals lm2 | |
| harvester vase | different artifacts found at minoan sites, stone vessels, idea for stone vessels coe to egypt. egg shaped rhytom. bottom of figure lost, procession of figures. prancing minoans, | |
| bulls head rhytom, | bulls head carved in styotite, hole for liquid, and comes out mouth. lm1a-b | |
| stite | type of stone | |
| repousse | flat sheet of mettle baning out so it extends in relief | |
| granualation | taking beeds and extending them by soder | |
| filigree | attaching by thin strings | |
| gold figurines | middle minoan 2-3 period | |
| bull jumper | made of ivory, has to come from south to east, shows the connections that crete had with mediterrean | |
| faience | central core with glass liek outer covering, interaction between greece and rome, found in repos of knossos. typical minaon dress | |
| mm3b | snake goddess, town mosaic | |
| myceanne | start of new section | |
| grave circle a | inside the walls of myceane, found a series of ancient grave shafts, royal skeletons and grave goods. | |
| niello technique | Niello is a black mixture of copper, silver, and lead sulphides, used as an inlay on engraved or etched metal. It can be used for filling in designs cut from metal | |
| nestors cup | believed it to be the cup of nestor from homeric troy | |
| tholos tomb | beehive construction and corbel vaulting | |
| warrior vase | 5 different warriors in attack mode | |
| dendra armor | bronze called kyeans, greeks in bronze armor, foudn in peloponiase, boar tusk helmet | |
| getting tired | learn rest |
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